Film: Le Rayon Vert
Director: Éric Rohmer
Country: France
Released: August 1986
Runtime: 98 minutes
Genre: Romantic Drama
Studio: Les Films du Losange
Influenced: Gus Van Sant, François Ozon, Noah Baumbach, Kelly Reichardt, Mia Hansen-Løve
Le Rayon Vert is one of my favourite French movies of all time and certainly the best Éric Rohmer film I've ever seen, including his early classics Ma Nuit Chez Maud (1969) and Le Genou de Claire (1971), as well as the entire Comédies et Proverbes series of six films from 1981-87. Each of these six films explore different aspects of love, relationships and human behaviour, often with a light touch of humour and philosophical reflection, and Le Rayon Vert is the jewel in the crown of the series. Rohmer based the film in part on the 1882 novel of the same name by Jules Verne, which focuses on the elusive green flash phenomenon that can sometimes be observed during a sunset. This served as a metaphor for the main character's search for love and a deeper connection.
The film follows the journey of Delphine (Marie Rivière), a young woman who finds herself alone during the summer after her vacation plans with friends fall through. Delphine is struggling with her own emotions and loneliness after a recent breakup. She embarks on a solo journey across coastal Brittany, including a stop-off in the stunning town of Étretat, seeking solace and meaning in her life. Throughout her travels, she meets various people and encounters different romantic prospects, each offering a unique perspective on human relationships. Rohmer, a prominent figure in the Nouvelle Vague, was known for his observational and dialogue-driven films and one of the things I love most about Le Rayon Vert is its naturalistic and character-driven storytelling, showcasing the director at the peak of his powers.
The film begins in Paris, where Delphine has been left by her boyfriend and her holiday plans have fallen through, setting the emotional tone for the film. One of the most memorable scenes involves Delphine on a beach, where she witnesses the actual green ray phenomenon, a rare optical occurrence that supposedly allows those who witness it to understand their own emotions and desires. This moment marks a turning point in her journey of self-discovery. Delphine engages in deep and introspective conversations with new acquaintances, exploring themes of love, loneliness and the nature of human connection. However, her attempts at forming romantic connections often lead to disappointment or disillusionment, as she grapples with her own emotional baggage.
Le Rayon Vert was widely praised for its minimalistic approach, allowing the characters' conversations and interactions to take centre stage. Rohmer's signature naturalistic style is characterised by long takes and an emphasis on everyday human experiences, while the film's focus on a woman's internal emotional journey and her search for self-fulfilment was innovative for its time. It's a poignant film that navigates the fine line we all tread between solitude and connection, showing that self-discovery often occurs when we're open to the unexpected interactions that life brings our way. Le Rayon Vert won the Golden Lion award at the 1986 Venice Film Festival, solidifying Rohmer's reputation as a masterful cinematic storyteller.
"I don't know how to be happy. I have tried all sorts of things. I don't think I am difficult. I like life. But it's not enough to like life; you have to have another life inside"
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