My Brilliant Career (1979)

Film: My Brilliant Career

Director: Gillian Armstrong

Country: Australia

Released: August 1979

Runtime: 100 minutes

Genre: Historical Drama

Studio: Margaret Fink / Australian Film Commission

Influenced: Jane Campion, Lulu Wang, Kelly Reichardt, Gurinder Chadha, Baz Luhrmann

Australian film producer Margaret Fink played a crucial role in advocating for the film adaptation of Miles Franklin's pioneering feminist novel, My Brilliant Career, and approached Gillian Armstrong, a relatively unknown director at the time, to helm the project. Fink tirelessly campaigned to secure financial support from various sources, including the Australian Film Commission and private investors, and tasked Eleanor Witcombe with converting Franklin's novel into a screenplay. While the film remains faithful to the novel's central themes and the spirit of its main character, Sybylla Melvyn, some adjustments were made to streamline the story for the screen. At their heart though the book and the film tell the same essential story, that of Sybylla's journey and her struggles against social expectations and her determination to pursue a career as a writer.

Right from the outset, the film shows us that Sybylla (played in a breakout role by Judy Davis) and her mother are clearly very different characters, but both share a strong yearning for something better in their lives. In Sybilla’s case this sense of yearning is expressed in her piano playing, while her mother has a sense of gentility and a continual air of disappointment to be living in such impoverished conditions. Sybylla's family is struggling financially, and she is sent to live with her grandmother on a remote farm. There, she encounters Harry Beecham (Sam Neill), a wealthy young man who becomes infatuated with her. The setting of the remote farm was the Michelago homestead in the Monaro district just outside Canberra, a stunning part of New South Wales that forms the film's dreamy backdrop.

Armstrong carefully selected the colours of the clothing and the period wallpapers to make them blend with the colours of the landscape and add to the film's visual aesthetic. One of Armstrong's main challenges as a director was to make it realistic that a girl living out in the Australia bush would have such grand ideas. Armstrong realised that it's possible with the film's timeline and 1890s setting that Sybilla could have read Little Women, the same book that inspired Miles Franklin. Sybylla's talent for writing becomes evident when she submits her work to a local newspaper and receives recognition. However, her dreams are met with discouragement and criticism from her family and the conservative society around her. Despite her growing affection for Harry, Sybylla rejects his proposal of marriage, determined to maintain her independence and pursue her writing career.

Sybylla reconnects with Harry's distant relative, Henry Beecham, who supports her writing aspirations and encourages her to follow her dreams. Sybylla's defiance of social norms culminates in a heated confrontation with her mother, who urges her to accept Henry's proposal. Sybylla stands her ground and asserts her independence. The film was groundbreaking in its portrayal of a strong-willed, independent female character who challenges the conventions of her time, offering a feminist critique of social expectations placed on women in late 19th-century Australia. The film ends with Sybylla leaving her rural life behind and embarking on a journey to pursue her writing career in Sydney, and there's a beautiful final moment of Judy reading the words that will be her book, standing in the glow of the sun looking at her bright future ahead as the rousing Schumann musical motif appears again.

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